• Dynamic Range: 13.5 stops (18 with HDRX)
  • Lens coverage27.7mm (h) x 14.6mm (v) x 31.4 mm (d)
  • Max Recordable Image size: 5120 x 2700
  • Lens Mount: PL - Mount (Canon EF mount coming soon!)
  • Body Weight: 2.25kg
  • Program Out: HD-SDI and HDMI
  • Project Framerates: 23.98, 24, 25, 29.97, 47.96, 48, 50, 59.94 fps, all resolutions
  • Redcode: 12 & 16-bit RAW
  • Recording Media: REDMAG SSD Drives
  • Audio: 2 channel, uncompressed, 24 bit, 48KHz.
  • Monitor Options: RED LCD 5" Touchscreen Display, BOMB EVF HD Viewfinder
    Please Visit RED.com for a more comprehensive list
Below are frame rates and image sizes achievable at this stage. We will update it as more become available.


5K RAW (Full Frame, 2:1, 2.4:1) 96FPS
4K RAW (16:9, HD) 120FPS
3K RAW (16:9) 150FPS
2K RAW (16:9, 2:1) 300FPS



The EPIC. Providing native dynamic range of over 13 stops and resolution that exceeds 35 mm motion picture film, in a body that's the size of a large DSLR, the camera needs no introduction.

Recording on to large SSD, having a modular design and weighing only 2.25kg, is part of RED's new amazing achievement to revolutionize the film industry.

With technology such as HDRx, the camera is capable of 18 stops of dynamic range, all whist keeping as much information as possible in its proprietary REDCODE 16-bit RAW files, for the highest image quality possible.

To put it simply, this camera is mental.




For on set DIT work, Download RED CINE X PRO latest version.